Event Schedule

I Want To Tell You

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Cover of collection
30
Mar
Community Room 301 & 302

In Jesse Lee Kercheval’s sixth collection, I Want to Tell You, her searching, incantatory poems speak directly and forcefully to the reader in a voice that is by turns angry, elegiac, wry, or witty but always sharply alive. Crossing through the bewildering territory of grief, Kercheval argues with god and the universe about the deaths of people she loves. She also writes movingly about the complications of family life and love, the messy puzzle of life itself. 

Above Ground

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Above Ground
03
Apr
Community Room 301 & 302

A remarkable poetry collection from Clint Smith, the #1 New York Times bestselling and National Book Critics Circle award-winning author of How the Word Is Passed.

Crying in H Mart

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Photo of book, Crying in H Mart
07
Apr

In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band -- and meeting the man who would become her husband—her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.

Bootstrapped

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Bootstrapped
11
Apr
Community Room 301 & 302

An unsparing, incisive, yet ultimately hopeful look at how we can shed an American obsession with self-reliance that has made us less equal, less healthy, less productive, and less fulfilled

The promise that you can “pull yourself up by your bootstraps” is central to the story of the American dream. It’s the belief that if you work hard and rely on your own resources, you will ultimately succeed. However, time and again we have seen the way this foundational myth, with its emphasis on individual determination, brittle self-sufficiency, and personal accomplishment, does not help us. Instead, as income inequality rises around us, we are left with shame and self-blame for our condition.

Things I Wish I Told My Mother

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Things I Wish I Told My Mother
12
Apr
Community Room 301 & 302

For fans of One Italian Summer, Things I Wish I Told My Mother is a book club selection for the ages. A mother and daughter unpack a lifetime's secrets while on vacation in Paris.
 
Every daughter has her own distinctive voice, her inimitable style, and her secrets. 
 
Laurie Ormson is an artist, a collector of experiences. She travels the world with a worn beige duffel bag. 
 
Every mother has her own distinctive voice, her inimitable style, and her secrets. 
 
Laurie’s mother is the famous “Dr. Liz.” An elegant perfectionist. She travels the world with a matched set of suitcases.  
 
When Laurie invites her mother on a trip to Paris and Norway, she sees an unexpected sparkle in her mother’s eyes. So begins Things I Wish I Told My Mother. You will wish this novel never ends. 
 
Laurie and Dr. Liz are the female version of The Odd Couple
 

A Fever in the Heartland

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A Fever in the Heartland
13
Apr
Madison Room

The Roaring Twenties--the Jazz Age--has been characterized as a time of Gatsby frivolity. But it was also the height of the uniquely American hate group, the Ku Klux Klan. Their domain was not the old Confederacy, but the Heartland and the West. They hated Blacks, Jews, Catholics and immigrants in equal measure, and took radical steps to keep these people from the American promise. And the man who set in motion their takeover of great swaths of America was a charismatic charlatan named D.C. Stephenson.

Stephenson was a magnetic presence whose life story changed with every telling. Within two years of his arrival in Indiana, he’d become the Grand Dragon of the state and the architect of the strategy that brought the group out of the shadows – their message endorsed from the pulpits of local churches, spread at family picnics and town celebrations. Judges, prosecutors, ministers, governors and senators across the country all proudly proclaimed their membership. But at the peak of his influence, it was a seemingly powerless woman – Madge Oberholtzer – who would reveal his secret cruelties, and whose deathbed testimony finally brought the Klan to their knees.

Places I've Taken My Body

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Places I've Taken My Body book jacket
14
Apr
Community Room 302

In seventeen intimate essays, poet Molly McCully Brown explores living within and beyond the limits of a body―in her case, one shaped since birth by cerebral palsy, a permanent and often painful movement disorder. In spite of―indeed, in response to―physical constraints, Brown leads a peripatetic life: the essays comprise a vivid travelogue set throughout the United States and Europe, ranging from the rural American South of her childhood to the cobblestoned streets of Bologna, Italy. Moving between these locales and others, Brown constellates the subjects that define her inside and out: a disabled and conspicuous body, a religious conversion, a missing twin, a life in poetry. As she does, she depicts vividly for us not only her own life but a striking array of sites and topics, among them Mary Shelley’s Frankenstein and the world’s oldest anatomical theater, the American Eugenics movement, and Jerry Falwell’s Liberty University. Throughout, Brown offers us the gift of her exquisite sentences, woven together in consideration, always, of what it means to be human―flawed, potent, feeling.

There There

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Photo of novel, There There
24
Apr
Community Room 301 & 302

There There is a work of fiction. While a novel can help us to better understand culture, history, politics, and identity, no single piece of literature can bear the burden of representing an entire nation, culture, or people. As Tommy Orange makes clear through the twelve different “Urban Indian” perspectives that comprise There There, Native Americans are not a monolith. In the area now known as the United States, there exist 574 federally recognized Native tribes (and many more unrecognized tribes), with differing languages, traditions, religious and spiritual beliefs, and ways of life. This event will be moderated by Sasha Maria Suarez, Assistant Professor of History and American Indian Studies at UW-Madison.

There There in Wisconsin, an initiative of the Center for the Humanities at the University of Wisconsin-Madison, is additionally supported by the UW-Madison Libraries; the Evjue Foundation; the Wisconsin Book Festival; the Anonymous Fund of the University of Wisconsin-Madison; and the Departments of American Indian Studies, History, and English and Creative Writing.

 

The Tradition

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The Tradition
27
Apr
Community Room 301 & 302

Presented in partnership with the UW Program in Creative Writing & winner of the 2020 Pulitzer Prize in Poetry. 

Beauty abounds in Jericho Brown’s Pulitzer Prize-winning poetry collection, despite and inside of the evil that pollutes the everyday. A National Book Award finalist, The Tradition questions why and how we’ve become accustomed to terror: in the bedroom, the classroom, the workplace, and the movie theater. From mass shootings to rape to the murder of unarmed people by police, Brown interrupts complacency by locating each emergency in the garden of the body, where living things grow and wither—or survive. In the urgency born of real danger, Brown’s work is at its most innovative. His invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is an all-out exhibition of formal skill, and his lyrics move through elegy and memory with a breathless cadence. Jericho Brown is a poet of eros: here he wields this power as never before, touching the very heart of our cultural crisis.

2023 Wisconsin Institute For Creative Writing Fellows Reading

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Fellows Reading
02
May
Community Room 301 & 302

Presented in partnership with the UW-Madison Program in Creative Writing, poetry and fiction from the 2022-23 Wisconsin Institute for Creative Writing Fellows. This event will feature the work of Steven Espada Dawson, Yalitza Ferreras, Chessy Normile, Amanda Rizkalla and Taymour Soomro. 

Breathe and Count Back From Ten

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Breathe and Count Back From Ten
11
May

In this gorgeously written and authentic novel, Verónica, a Peruvian-American teen with hip dysplasia, auditions to become a mermaid at a Central Florida theme park in the summer before her senior year, all while figuring out her first real boyfriend and how to feel safe in her own body.

Verónica has had many surgeries to manage her disability. The best form of rehabilitation is swimming, so she spends hours in the pool, but not just to strengthen her body.

Her Florida town is home to Mermaid Cove, a kitschy underwater attraction where professional mermaids perform in giant tanks and Verónica wants to audition. But her conservative Peruvian parents would never go for it. And they definitely would never let her be with Alex, her cute new neighbor.

She decides it’s time to seize control of her life, but her plans come crashing down when she learns her parents have been hiding the truth from her—the truth about her own body.